Alayah and Tommy started messaging on a live streaming platform. Alayah thinks he could be the one, but when they try and meet, he keeps cancelling.
The squad presses forward in their search for Gabi, leading to a high-stakes operation in a crowded apartment block. Nurit confesses a secret to Doron.
Living on a homestead with his family, Lucas wants to spread his wings and fly, but at 600 pounds, he can't take off. All he does is eat and game, and if he wants to leave the nest and live a normal life, he needs Dr. Now's help to lose over 400 pounds.
Diana must find a way to finish her menu for the London restaurant despite Easton's toddler-tanty level resistance to fulfilling their community service obligations.
The Mew Mews found a new member, but getting close to her is no easy feat. They'll need to audition for a musical if they want to get anywhere near the intimidating Zakuro!
Just a bad dream, or an omen of things to come? Kyoka isn’t sure, but nightmares become reality when her new manager introduces a shocking shakeup to TiNgS’ lineup.
Joey brings Vanjie's Drag Show to an abrupt end. Blake & James have some difficult decisions to make. But before they can choose a team to compete against Chloe & Potro in the Exile Game, a twist sends shockwaves through the villa.
When her daughter's private phots and information are posted online, a justice-seeking mother takes swift action against the site and its popular owner.
Has Theo signed up for life on tour? Cash struggles to accept his new reality. Roo’s first taste of freedom is unexpected.
A gorgeous home with ocean views comes with one catch: a dated kitchen. Open shelves, integrated appliances and a chic sink make a refreshing splash.
After Andi's incident, the EWS undergoes significant changes. Everyone focuses on rehearsing for a musical based on RBD's history. Okane opens up to Luca.
After a momentous year at East High, the Wildcats head to Camp Shallow Lake for two weeks of fun in the sun. With a high-stakes production of “Frozen” looming and new campers threatening to shake up the Wildcats’ dynamic, the campers are in for an unforgettable summer of highs, lows, and “Let It Go’s.”
Luka convinces Esteban to throw his birthday bash at the Coluccis' house. Jana asks Dixon to come with her to the party. Sebas and MJ get into a fight.
The MEP's new director cancels the Battle of the Bands but announces a new competition with a high-stakes prize. Okane, the newcomer, throws a party.
ILM enters the digital era as its revamped computer division faces its first big test with Willow. With a new team of rebels arriving at the company eager to push CG to its limits, James Cameron gives them a chance with The Abyss and Terminator 2. But the transition to digital is not without its casualties, as some struggle to adapt. Then Steven Spielberg returns with his greatest challenge yet.
The year is 1975, and George Lucas has a problem. There is no visual effects company in Hollywood capable of realizing the massive vision behind his new film “The Star Wars”. George and camera expert John Dykstra assemble an unlikely team of artists and dreamers for the job, but despite their best efforts and some remarkable new technology, the ILM team falls woefully behind.
When a near fatal wreck thwarts his boyhood dream of racing cars, George Lucas finds success as a filmmaker. He spends his own money on the special effects of an ambitious new “space opera”, but progress is painfully slow. With the help of key new hires, ILM rallies to finish the film on time. Star Wars premieres to worldwide success, yet George remains curiously unsatisfied with the results.
A new partnership with Steven Spielberg results in the memorable effects of Raiders of the Lost Ark, E.T., and more. Meanwhile, the computer graphics group scores its first digital breakthrough. As the 80s blockbuster era rolls in, ILM crews are competing against each other, for both resources and awards. When George makes a fateful business decision, ILM is forced to rebuild on the fly.
After Star Wars, ILM moves north to a new facility—but not everyone is invited. As work begins on The Empire Strikes Back, the team faces unprecedented new challenges. Frustrated by the available tools, George creates a new division to help modernize filmmaking. Upon the release of Empire, ILM takes on outside work for the first time, setting the stage for a remarkable string of success.
Stop-motion genius Phil Tippett feels like he’s gone extinct when CG unexpectedly takes center stage in Jurassic Park. The watershed moment convinces George Lucas to return to his long-planned Star Wars prequel trilogy and push the technology even further. As digital filmmaking continues to grow and evolve, The Volume proves that the spirit of innovation remains alive and well at ILM.